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Iconography Thesis

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... Philadelphia Museum of Art. Exhibition Catalogue. ) The image of Guanyin has its roots in Indian iconography. However, only when Guanyin came to China did her image take on Church grew stronger in Rome and other parts of Europe, Italian iconography gradually moved to more forms of religious themes and subject matter. Thus the Italian evolution generated a "Western" style of iconography that was not images, iconography and gold backgrounds. This painting was not painted on canvas, as we are accustomed, but on wood, which dries quickly and shows no brushstrokes. Italian Roman Catholic iconography at first retained several themes of Orthodox Byzantine iconography. However, as the ...



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Sources list for ICONOGRAPHY THESIS:

Shung, GuoTao. Iconography of Wild and Cultivated Orchids in China. Taipei: Shu-Shing Press, 1993.
The Orchid Family

Reynolds, Larry J. "American Cultural Iconography: Vision, History, and the Real." American Literary History 9.3 (1997): 381-395.
Western Photography's Perception

Hae Un RII. JONGMYO (ROYAL SHRINE): ICONOGRAPHY OF KOREA. On the Internet at [1]http://www.international.icomos.org/v ictoriafalls2003/papers/A2-7-%20UnRii.pdf Hae Un RII. JONGMYO (ROYAL SHRINE): ICONOGRAPHY OF KOREA. On the Internet at [1]http://www.international.icomos.org/v ictoriafalls2003/papers/A2-7-%20UnRii.pdf
Korean Shamanism and Korean Jongmyo Jerye

Cavarnos, Constantine. (1992) Orthodox Iconography. The Institute For Byzantine And Modern Greek Studies, Inc. Belmont, MA
The Art of Icons

Dooley, Tara. "Exhibit reveals riches of iconography." Knight Ridder/Tribune News Service, August 9, 2000.
Icons

 


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